Catching up

We’re back after a desperately needed break, last year was far too busy and problematic, hence the slow posting. Hope you all had a happy buying season and paid due obeisance to the gods of consumerism – at least you can be sure they exist.

Santa confesses he and Jesus aren't real

Let’s do a bit of a round up to get us started.

This turned up in our email from Etienne Meneau titled La Maison Elastique

The elastic houses are made for those who like instability and precarious, who like to be awakened by the sound of the rain, those who like to sleep under the boats returned. They will be recalled at any time to the realities of gravity, rocked bywind and earthquakes. The elastic houses therefore ask its inhabitants a strong sense of balance and a real taste for the experiments.

And we are of course great lovers of the unstable and the precarious. But that image has already got a bit of a run from a few other blogs.

We preferred this,

a more minimal interpretation of the hammock adaptively reused as a hang out, so to speak.

And the roof is also wonderful but the reason for its wonderfulness eludes us, it just has that certain minimalist indefinable je ne sais quoi.


(Photo cdstar)

Meanwhile the High Line adaptive reuse project is progressing nicely although this garden will be sadly missed by someone. It illustrates perfectly how it’s the stolen places and lost spaces in the cracks of urbanisation that so often make cities livable. Here are some photos of the work in progress. And speaking of stolen places, just in case you missed this story, how about living (secretly) in a mall?

Studio Jo Meesters in Eindhoven in the Netherlands has been adaptively reusing old tea services as, er, new tea services by sand blasting them

And near by in Brussels time is up for RDF811,

the temporary headquarters of Brussels group Rotor, also squeezed into a waste space if not exactly lost or secret.

In December 2006, Rotor took the initiative to build a temporary HQ in the rue de flandres. One year and a 2 months later, we are starting to plan its disassembly. Deconstruction is scheduled for 22, 23, 24 of February, and we are still looking for volunteers who can help us. Concretely, we are looking for 10 volunteers for each day, but if you can only spare a couple of hours, you are welcome as well.

If you’re in Brussels with a hammer in your hand contact them through their new website .

We liked their kitchen of reused diecutting stamping boards but we doubt if there are enough to go round, just like there weren’t enough of the book that has come out on our favourite architects Lacaton Vassal and sold out before we even heard about it. It’s a hard life.

But at least those bats won’t miss out,

their new home is on the way.

Finally, we are so used to seeing great films stolen and fucked up by Hollywood remade (there is nothing in the universe that can’t be made cheaper and nastier under the direction of an accountant) that it is great to see a project that could be described as an adaptive reuse of a film classic with the potential to be as interesting as the original.

Dziga Vertov‘s early cinematic masterpiece Man with a movie camera is being remade shot by shot on the internet in a sort of open source film making exercise where you can provide your own version of a scene from the original.

Individuals are invited to upload shots and scenes based on scenes from the original film, creating a database which then streams as a film. As a collection of personal visions this montage is in Vertov’s terms “a continuous exchange of visible fact”. Uploads to the site will take place continuously: the nature of the database is infinite.

We loved the original and we are sure this will be a classic as well. (Thanks for the link Deb)

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