Last year we linked to Moz, the creator of one less ute, a load bearing bicycle designed to carry up to 200kg. Given a recent random encounter with the man at a new years festival, it was hardly surprising that Moz should show up again, this time as part of the crew behind the construction of the Busycle.
Conceived of as a “public art project” by Heather Clark and Matthew Mazzotta, the Busycle is a “15 person 100% pedaled vehicle”. It adaptively reuses materials “ranging from office chairs to steel bed frames” in a creation where the emphasis is as much on the communal effort involved in building and powering it, as it is on the creation of an alternative mode of transport.
Over 50 people participated in the design and construction of this vehicle with an impressive diversity of backgrounds and expertise contributing to the project’s realization. A quick look at the bio’s section of the busycle website is enough to send Nicolas Bourriaud into a frenzy. His term “relational aesthetics” has vicariously attached itself to many modes of artist production as well as to notions of “newness” and “the avant garde” in contemporary art. In some ways projects like the Busycle are responsible for reclaiming and reinvigorating the territory which the term relational aesthetics sought to map out. The collaboration and engineering involved in creating the Busycle moves the relational beyond its formulaic application in the art gallery context, into territory where its identification as art becomes unimportant.